“A day without laughter is a day wasted”

Everybody knows Charlie Chaplin because of his fame as actor, filmmaker and composer of the silent era. But I bet you don’t know everything about him…

Let’s start with a short biography:

Charlie Chaplin was born in London in 1889. His birth name was Charles Spencer Chaplin, though he had many nicknames such as Charlie, Charlot and The Little Tramp. Charlie Chaplin went to the United States in 1910, at the age of 21, trying to become a professional actor. Two years later, Chaplin signed his very first contract and entered into the famous world of Hollywood. He grew to become one of the most popular and successful actors of that time. The moment that really kicked off his long career was in 1921 when he produced his first full length film called “The Kid”. From then on, most people all over the world knew Charlie Chaplin and loved his movies. He had a great career and life. He died in Switzerland in 1977, at the age of 88.

#1: Charlie Chaplin once won the third prize in a Charlie Chaplin look-charliechaplina-like contest

I know, you’re probably thinking, are you kidding?! This is a myth that has been around for a long time, but there is no direct record of it happening, and all of the claims are anecdotal. This anecdote, told by Lord Desborough, whoever he may have been, was quite widely reported in the British press at the time, so it was assumed that this is the source of an urban myth. However it may be true!

#2: Charlie Chaplin once confessed he had sexual relations with more than 2,000 women   

He had a fondness for young women. Chaplin was married four times and had eleven children. He was 29 and his first wife was 16 when they married. His second marriage was to Lita Grey, who was 16, when he was 35. His third and possibly fictional marriage to Paulette Goddard, occurred when he was 47 and she was 28. Chaplin married his last wife, Oona O’Neill, shortly after she turned 18 while he was 54.

#3: Charlie Chaplin’s corpse was stolen

Three months after Chaplin died on Christmas 1977, his body was stolen in an effort to extort money from his family. Chaplin’s body was recovered eleven weeks later after the grave robbers were captured. He is now buried under six feet of concrete to prevent further theft attempts.

#4: Charlie Chaplin has an asteroid named after him

3623 Chaplin (1981 TG2) is a main belt steroid between Mars and Jupiter, which was named after Charlie Chaplin. It was discovered on October 4, 1981 by Ms. Karachkina.

#5: Charlie Chaplin never became a U.S. citizen

He was exiled from the USA in 1953 because he refused to accept the American citizenship. That’s why he lived in Switzerland during his exile years and then died there.

#6: Charlie Chaplin’s imprints on the Hollywood Walk of Fame were removed

Because he was suspected of being a communist, his imprints were removed from the Hollywood Walk of Fame and were afterwards lost.

Author & Pictures: Deborah Ghezzi

Thoughts on the duration of exile

I.

Don’t drive a nail into the wall,
Throw your coat on the chair.
Why plan for four days?
You will return tomorrow.

Leave the small tree without water.
Why plant another tree?
Before it grows as high as a step,
You will be glad to get away from here.

Pull your hat down tight when someone passes by!
Why browse a foreign grammar?
The letter that calls you home
Is written in a familiar language.

Just as chalk flakes off the ceiling
(Don’t fight it!)
The wall of violence
Erected at the border against justice
Will crumble.

II.

Look at the nail you have driven into the wall:
When do you think you will return?
Do you want to know what you believe inside?

Day after day
You work on your release,
Sitting in your room, writing.
Do you want to know what you think of your own work?
Look, the small chestnut tree in the corner of the courtyard
Which you heaved the can of water to!

Author: Yo Vogel
Picture: Brecht Festival, http://www.brechtfestival.de/index.php?id=39123

Remake, reboot, recycle?

Up until a couple of years ago, it seemed that Hollywood would never run out of new ideas. Yes, there was the occasional book turned into a movie, but at least that was a story nobody had seen on the big screen before. This all changed, though, and now it feels like every single film coming out of Tinseltown has been made at least once before. I know Hollywood is packed with green liberals, but this shouldn’t be a reason for recycling every last story that has ever existed. So why are there hardly any exciting new projects released by Hollywood studios anymore? Honestly, I can’t answer that, but it really does bug me since I used to love going to the movies.

When I was younger, my Saturday afternoon ritual was going to the cinema. Sometimes I went to see the same film two, three, or in the case of Titanic, even four times. Nowadays, I never think of doing this anymore. One reason is that seeing a movie has gotten super expensive over the last couple of years. Yet the other, more important reason definitely is that there is really nothing new playing anymore. First all the old horror classics of the 1970s and 1980s were remade; then they turned TV shows into films. After this they made tons of sequels of the same old film and now they’re booting comedies that had long been wrapped, like the new Bridget Jones movie or the Zoolander sequel released last year.

remake

At the end of the day, you really wonder if every screenwriter in Hollywood is too lazy or just too busy spending their millions to actually think of creative new scripts. Especially considering that this is not only happening with the cinema, but also TV shows. I’m the first to admit that I was thrilled about the reboot of The X-Files. Yet the outcome was more than a letdown. This was their chance to finish the show on a high note after the lame season without David Duchovny back in 2002. Yet they actually managed to tarnish the series by kind of making a parody out of it. This is exactly why I loathe remakes, reboots, prequels, and sequels. Most of the time, they take something awesome or even perfect, like The Lion King, American Pie, or Halloween and turn it into a disaster that makes you want to pretend that you’ve never even seen it.

I know I shouldn’t give up on Hollywood just yet, and if you’re also sick of remakes and a seemingly endless amount of sequels, neither should you. Because who knows, maybe there will be an awesome ten-IMDb-stars-out-of-ten movie released real soon that’s neither a remake nor a reboot, not based on a book and hopefully not even based on a true story. Just a great film brought to life by the mind of an inventive screenwriter.

Author & Picture: Alisa Lechky

At 4.48 when sanity visits…

Since today’s the last chance to see the University of Augsburg  “Anglisten Theater” perform “4.48 Psychosis”, I thought I’d share my experience of the premiere last Thursday (December 8th).  It’s the last play written by its author Sarah Kane, and tells the story of a young, mentally ill, woman.

atI actually can’t sum it up in more detail, since the main point of this play is that what you see isn’t 100% clear. For example, if you watch A Mid-summer Night’s Dream, you have a clear storyline to follow (they’re in love, they flee, chaos ensues, they get back together, happy end). You also have clearly defined characters with their own traits, which you discover while watching or reading. But 4.48 Psychosis doesn’t provide you with such things. Personally, I wasn’t entirely sure about anything. I was constantly wondering. I was wondering if the doctors really treat her like that, or if it’s just how she sees them treating her. I was wondering if some scenes actually happened, or if they were just a product of the patient’s imagination or even dreams. I was wondering what might have caused her to feel so bad in the first place…

I was wondering so many things that I was enticed into the play. Even though such “heavy” theatre isn’t usually to my taste at all – I was sad when it was over. Actually, I could’ve kept on watching it for quite a while, and left the theater (or in our case Hörsaal 2) with a bit of a heavy heart.

uniBut the fascination I experienced was not only as a result of the play itself. Because, as we all know, no matter how good a play is, if you have bad actors, it’s worth nothing at all. Fortunately, the university has some amazingly talented students. They were all brilliant, especially Anna Hilbel, who did a fantastic job in the lead role. The amount of text she had to learn was incredible (trust me – there’s  a ton of really long, hard monologues in this one), and I was amazed by the feelings she puts into her performance. I believed EVERYTHING. I believed her anger, her despair, her love… everything. At this point, I really have to give credit to Mr. Beck as well, for directing and coaching. The play allows every director a lot of freedom to make it theirs – and he nailed it.

So if you’re still unsure…. then I don’t know what else I can say without giving away too much. Just take my advice. Go see it. You won’t regret it. And, for my part, I can’t wait to see what they’ll be doing next semester.

4.48. Psychosis, is performed for the last time on Thursday December 15th 2016, 8 p.m., Hörsaal 2, Augsburg University.

See http://www.student.uni-augsburg.de/de/gruppen/anglistentheater

Author: Michaela Lappler
Pictures: Rudolf Beck

An interview with Lotte and Anna from the AnglistenTheater

On Thursday 8th December, the AnglistenTheater will premiere their latest play: 4.48 Psychosis by Sarah Kane. eMAG visited their final rehearsal and had a chat with Anna – who plays a young mentally ill lady – and Lotte, who plays one of her doctors.

So this is your last rehearsal before the premiere. Are you nervous yet?

Anna: Not in an apocalyptical way, but a little bit. Actually, I just avoid thinking about that at all.

Lotte: Not really. Even if I forgot my text, I bet no one would notice because of the way the play is structured. I’d actually say I’m more tired than nervous. We’ve had a lot of rehearsals, which gets quite exhausting.

Is it your first time working with the AnglistenTheater?

A: It’s already my third time.

L: For me it’s the second time.

And are you thinking about coming back again next semester?

A: Yes, but maybe just for a small role or as part of the “behind the scenes” team. It is fun, but it’s still work which takes up a lot of time for rehearsals and learning your text.

L: It’s actually the same with me. I’d love to come back, but I’ll be working on my bachelor thesis, so I’m not quite sure whether I’ll have the time.

Since the play is really… let’s say “special”, the way it’s written, was it harder to learn the text than an “ordinary” play?

A: Well, it doesn’t have a lot of dialogue and it doesn’t even really have strictly divided characters and the plot is a bit… hard to find. I’d say it is definitely different from what we see as a “normal” play. The lack of dialogue makes it a bit harder because, for example, if you’ve forgotten a line, there’s no one there to help you, but in the end it’s just text which can be learned by heart like any other play.

L: I don’t really mind it, since I’m particularly interested in poetry.

I’ve read that the play mainly focuses on mental illness and psychiatric treatment. Did that affect you?

A: It was kind of depressing for everybody. After rehearsal we were really drained emotionally.

L: It was definitely exhausting because it’s just not a happy play. If you see it, you don’t leave the theater going like “Haha, that was super funny to watch!”. But overall that’s not a problem, since I’m fully aware that it’s just a play.

I wish you the best of luck, but do you have a personal worst-case scenario for the premiere?

A: I’m afraid of self-fulfilling prophecies, so I’m not gonna answer this! (laughs)

L: Maybe standing on stage and getting laughed at.

Author: Michaela Lappler
Picture: AnglistenTheater/Verena Kandler

Drama, baby, drama!

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Why Augsburg needs a theatre

If you live or study in Augsburg, you’ve probably heard of the discussions about modernising Augsburg’s theatre, which is estimated to cost 186 Million Euros. 186 Million Euros is a lot of money, and, as always, when a city decides to spend its citizens’ tax money, especially so much of it, there are protests.

In the case of the Augsburg theatre they’re especially fierce because many of the opponents of the refurbishing of the theatre claim that it is only serving the interests of a fraction of the population. So do we really need a theatre in Augsburg?

There might be many arguments for or against the theatre’s restoration, but let me give you a few reasons why we might want a theatre in Augsburg, rather than fighting over whether we need one.

Have you been to the theatre, lately? No? Don’t worry, it’s never too late to start a good habit. No, you don’t have to turn into a hard-core theatre visitor just yet, but why not try out something new? The Augsburg theatre has many different things to offer. There are the plays, of course, and they alone come in many different shapes and sizes. Some are funny – others dramatic. Some are long, while others are short. If you are not a fan of plays, you can also go to an opera and listen to the opera singers fill the room with their powerful voices. In case emotional Italian arias is a bit heavy to start with, there are always the ballet performances, which are my personal favourites! If you’re thinking of pale girls in tutus, think again, because many of the performances are very modern and exciting and for the girls among you, let me assure you that the male dancers are very nice to look at. Augsburg’s ballet group has even been recognised as one of Germany’s best ballet groups and it really shows!

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But the Augsburg theatre not only offers a diverse range of performances; it also offers a pleasant relief from our media-flooded world. When was the last time you actually saw real people on a stage, instead of a TV? And when was the last time you listened to live music, instead of turning on Spotify? I admit that watching a play, an opera or a ballet performance requires a little more effort than a TV show, for example. This is because you actually have to imagine something to be able to engage with the story being told. But your brain will thank you if you just let it wander about freely for a change, and who knows – you might come across some interesting thoughts in your head!

Another reason why I love the theatre is the other people in the audience. If you thought people only go the theatre to look at the actors, dancers or singers on stage, you couldn’t be more wrong! There’s nothing more interesting and amusing than looking at everybody’s outfit while you enjoy a drink and a snack during the intermission. Bizarre people find their way into the theatre, from women in extravagant dresses to extremely bored teenagers on a school excursion.

So, if you’re a bit curious about the Augsburg theatre now, maybe it will be you that I’m staring at next time when I’m sipping my drink during the intermission!

Author and Pictures: Noemi Hehl