The Lighthouse – a unique masterpiece of modern cinema

Two lighthouse keepers are losing their sanity when being trapped on a faraway island. This is all I knew about the movie The Lighthouse before watching the actual trailer. Despite thinking I was all set up for watching the teaser, my mind still got blown as director Robert Egger really takes the cake here! First, all you hear is the sound of a foghorn blaring while you stare at a black screen and you get an instant claustrophobic feeling. Then, a black and white vintage shot of a lighthouse; Robert Pattinson and Willem Dafoe, who look like weather-beaten 19th century sailors, are gazing into the camera. I don’t want to spoil too much but what follows is an uproarious roller coaster ride of images as you see an ax-wielding psychopath, tentacles, an eerie mermaid and much more horror madness.  It leaves you puzzled as to what you have just seen, and I can promise you one thing: you are hooked and intrigued right away!

They did it again: Psychological horror at its finest

If you decide to check out this flick, its imagery, setting and symbolism will be stamped in your mind long after you left your TV. Egger’s psychological horror movie isn’t just more than worth seeing, it also breathes new life into an industry which has left us progressively with trite and dull movies over the past years.

With the film’s release in October 2019, it’s no surprise that no less studio than A24 is behind that project; a company which is well-known for highly renowned and well lauded productions of independent movies such as Midsommar (2019), Hereditary (2018) and Moonlight (2016). Just looking at these films, it’s almost certainly that The Lighthouse  delivers what it promises.

“what’s a timber man want with being a wickie?”- Disorientation as the goal

Vaguely based on an unfinished short story of Edgar Allan Poe, the plot is set on a remote, storm-wrecked lighthouse in New England during the 19th century. Ephraim Winslow’s (Robert Pattinson’s)  adventure is to get underway as he decides to quit his job as a timberman and starts his first day working for a contentious, gross and elderly man named Thomas Wake (William Defoe) as he wants to learn the ropes of being a wickie (old term for lighthouse keeper). Wake orders Winslow around with daily annoying duties, while always making clear that he is at the helm. As he heads up to the lantern room, he forbids Winslow to ever go up there.  In the course of time, the audience can see how Winslow evolves, unveils his dark secrets and eventually dips into madness. He becomes obsessed with what happens at the top of the lighthouse and at some point, the viewer asks himself which one of the guys goes crazier and who’s still to trust.

It’s amazing how Robert Egger has managed to make the film look so authentic. From a technical point of view, it was a brilliant idea to shoot the film in a gray 1.19:1 aspect ratio in order to magnify the dark, gloomy and claustrophobic atmosphere. The old-time sailor’s dialect of the actors is flawless and their sledgehammer performance did leave me speechless, for example, when Thomas spells a biblically, dramatic and few minutes long curse upon Winslow only because he was not fond of his lobster. All this provides an experience unlike anything you have seen before and makes the movie so unique.

Complexity: What does the movie even mean?

The most enjoyable part for me personally is that there is no fixed interpretation or message behind the story. Intentionally, the gist of the movie remains blurry as there are many hints and signs unpretentiously hidden. One can surely find psychological, sexual and homoerotic themes; however, I was mostly amazed by the Greek mythical reference as Winslow could be portrayed as Prometheus, the titan who got punished for stealing the fire from Zeus in order for mankind’s benefit. The light is seen as a metaphor for enlightenment such as, on a more straightforward level, the light of the lighthouse illuminates the night and guides the ships through darkness. 

A timeless film but not for everyone

Even though the movie satisfies my cinematic needs in every way, I do have to admit that it isn’t a film for everyone since some people could perceive it as too brutal or blend in its story. If you’re someone who rather aims for movies which are easier to digest and jollier, The Lighthouse wouldn’t particularly be the right choice for you. However, if you like extraordinary and artistic movies which pluck up courage to try something new and even write a piece of film history with their exceptional style then go ahead with all sails set and watch the movie. You won’t regret it!

author: Mariana Silva Lindner

“Don’t make me grow up before my time” – The Timelessness of Little Women

„I just feel like, women, they have minds, and they have souls, as well as just hearts. And they’ve got ambition, and they’ve got talent, as well as just beauty. And I’m so sick of people saying that love is just all a woman is fit for. I’m so sick of it!”, Saoirse Ronan says with tears in her eyes, “But I’m so lonely.” Now I’m also crying. In case you’re wondering where this quote is from – it’s Greta Gerwig’s Little Women. The film hit US cinemas on Christmas Day last year, was nominated for seven Oscars and finally came to Germany in late January. Since then I’ve actually watched it twice at the movies, that’s how good it is.

Originally, Little Women is a children’s book by Louisa May Alcott that first came out in 1868 and received a second volume a year later. The book is considered a classic and has been filmed and re-filmed several times. Even though it came out forever ago, I managed to get half the people I know hooked on it. Here’s why you should do the same.

“Just because my dreams are different than yours, it doesn’t mean they’re unimportant.”

Little Women tells the tale of the lower middle-class March family: the father is away fighting in the American Civil War, and mother Marmee takes care of their four daughters by herself. The Little Women couldn’t be any more different in personality and life goals. The second volume Good Wives portrays them as young women who are trying to accomplish said goals.

There is Jo, an aspiring writer who does not want to get married. Yet, she has to come to realize that everyone around her seems to be changing: her family and friends all grow up, think of marriage and children and she keeps clinging to the past.

Her youngest sister Amy was probably the least liked sister to most readers prior to the 2019 movie. She’s an artist-to-be, at times annoying and vain and has her mind set on marrying rich. The movie actually manages to turn her into a fan-favourite.

The oldest sister Meg is more of a romantic – she gets married at a very young age and faces the kind of problems you would expect: child keeping and making jam. The usual.

Last, we have Beth. She is a very shy character and is the kind soul of the family. Luckily for her, she is always supported by her sisters and they would all happily throw a punch for her.

The movie very beautifully combines the stories from their childhood and alternates them with the ones from their adulthood. The flashbacks are tinted in warm, rosy colours, whereas the present ones are rather blueish and cold. This alternation manages to bring together innocence and growth, as well as optimism and reality.

“Girls have to go into the world and make up their own minds about things.”

Little Women in itself is a timeless story, especially regarding its themes and topics. For one, you have a differentiated portrayal of feminism, which is even more amazing considering that the book was written in the 1860s. It will positively break your heart (to quote my brother at the movies, crying: “You should have told me it was going to be so sad! You can’t let me watch this without warning me first!”).

Another theme is the whole growing up business. You know … the one you’re probably also trying really hard to figure out. There’s this movie scene where Amy says “I’m a failure” and Laurie replies “That’s quite a statement to make at twenty.” The story reflects really well the struggles of becoming An AdultTM and figuring out who you are, while also dealing with a constant shortage of money, time and sleep (please tell me it’s not just me).

The film manages to literally convey all of this in two hours. Yet, if you are still doubtful about whether you really need to watch the movie, let me mention the cast – a movie that has Emma Watson, Saoirse Ronan, Florence Pugh, Timothée Chalamet and Meryl Streep should be worth watching regardless of its content. And I stand by that.

author: Lea Metzner